If there was ever a movie that should have the World Economic Forum seal of approval, Renfield is it. You will eat bugs, have nothing and love it.
Renfield is a hyper-stylized cartoonish product, kind of like a colorful box of cereal that a child points to from the front seat of a grocery cart. The kid wants it no matter how awful it tastes or how bad it is for them. This is the point of Renfield—glamour the children. Mesmerize them the way a vampire would before he sticks his teeth in your neck.
As movies go, I didn’t mind the film and was amused by Nickolas Cage’s brilliant casting and his portrayal of Dracula, but I am not influenced by it nor by the symbolic use of the color green in the design of the film’s title, a very odd choice from a designer’s perspective. The ability to avoid the influence of these films is the difference between watching a movie and seeing a movie.
As far as I know, Dracula’s mind controlled servant, Renfield, has always been characterized as a deranged and mentally ill errand boy, compliant; a man devoid of making decisions on his own unless it has to do with his addiction to eating bugs. In Bram Stoker’s day and only up to a few years ago, consuming bugs was either a sure sign of a mental disorder, starvation or that you lived in a jungle.
The challenge of getting children to eat bugs has been an ongoing conditioning operation by the WEF (example 1, 2, 3, 4, …) and activists in the classroom who have been feeding them to children for some time now under the guise of climate change ‘education’ and socialist indoctrination. Taking children from their natural predisposition of disgust to their willing consumption of bugs no longer sounds outrageous or very far off thanks to globalist tyrants and their Renfields who obediently support the annihilation of the human spirit. Goodbye gummi worms, hello mealworms!
Our universal rejection of substituting insects for actual food is being broken down by the ESG tainted Hollywood system that would rather equate mental illness to something more heroic by turning the consumption of bugs into something fearless, fun and even life saving. This garbage programming has even turned up in shows like Top Chef and Gordon Ramsay cooking shows where high end products are replaced with bugs as cooking challenges while masked servers continue to serve the snobby, unmasked elite.
This new Renfield (Nicholas Hoult) is young, cute, and in a terrible relationship, but when he eats bugs he becomes endowed with superhuman strength and abilities. He becomes a superhero because of his disorder. Forget spinach, a vegetable that leftist will eventually say is only eaten by privileged white people—bugs have equity and are their new everyman meal. Will Popeye be canceled next for promoting the consumption of vegetables? And will easily influenced children become intractable tyrants who know better than anyone what’s good for us and the planet? One need only look at sneery-faced Greta Thunberg for the answer.
It was only because she was a child that globalist tool Greta Thunberg became the face of the all-knowing, superior-thinking, child savior of the world. The angry Swede was cast as a real life superhero and was endlessly endorsed by propaganda media, establishing a bizarre notion that children know more than everyone else and should be listened to because of their unfounded expertise.
Films like Renfield are the next phase of indoctrination that will be used and championed by the media, ill-informed parents, and non-binary activist teachers whose aims are to ensure that the poisonous spirit of trained seal Greta Thunberg resides in every child who is exposed to these tactics of control. I call this The Greta Effect.
Renfield is no longer a sick gofer. He is a symbol for environmentalism. He’s a rapacious young man who plays the victim, a person who’s denied his true self once for selling his soul to the devil and again for his belief in being able to transform into something he was never born into.
The long worn ploy of using the concept of superheroes and masked children to create alter personalities who can deny nature and the self has done untold damage to people whose true selves can no longer be located. Childish playacting used to be a normal way to explore the imagination, it is now the new way of settling into a lifetime of infantilism, sex reassignment and totalitarian control. It’s no longer necessary to put childish thoughts and games to rest, we are now expected to maintain these fantasies our entire lives.
And while the indoctrinated scamper through the imaginary worlds that are being created for them, they will subconsciously seek to turn their own humiliation of masking, bug-eating, and gender-neutering, into the apex of virtue that must be followed by everyone else. They will be the brownshirts of unknown gender now bedecked in pastels, enforcing what is ‘normal’ to them—not encouraging—but dictating how others should live their lives so that their objectors are in alignment with their own compliance programming.
Renfield doesn’t go so far as to admit all of this, but that’s what it is. It is the perfect foil to promote the WEF’s obsession with cleansing the planet by reducing the population through starvation and humiliation.
Who else but a gullible, greedy or megalomaniac insane person like a Renfield would devote his life to such a monumental symbol of evil as Dracula? It seems inconceivable until you compare this with the evil of Klaus Schwab and his ever growing list of Young Global Leaders who’ve been Renfielded by Schwab and his World Economic Forum.
Today we no longer just have to face evils akin to Dracula, we have to parent a growing number of children who think they are improved by their transformation into strigoi Renfields. That is one of the main goals of the World Economic Forum and that is what this film explains in its colorful, kid friendly way. Cage’s Dracula explains clearly, “You’re the monster, Renfield. Not me.”
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