Believe the Science of 1973 and the WEF
Anti-Naturalist's push the Great Reset as a Totalitarian Pop Flash Inevitable
“If spiritual and scientific values are combined, there’s hope. The dark ages will be over.” says a character early on. This is the only line to keep in mind as the confusing plot unfolds and you adjust to the idea of pinball machine flashiness being synonymous with the dark ages and that a hermaphrodite is the key to global salvation.
It is a touch of brilliance to wrap the impending end of the world and neo-pagan hermaphrodite worship in the style of a trippy-pop inflatable plastic inevitable that has a faint odor of nazi occult mysticism to it. But as a stylized idea, The Final Programme demands more of the viewer than an appreciation for pop art ornamentation and sci-fi pastiche.
The ongoing initiative to create an immortal hermaphrodite, an ‘all purpose being’ is led by a vampiric feminist who’s set up shop in an abandoned nazi facility in Antarctica.
Their philosophy is totalitarian anti-nature occultism and sounds like an excerpt from a Klaus Schwab sermon, “Out of this world of vanity and hysteria, a supreme being will emerge, a new messiah born of the age of science” If the World Economic Forum was a One World Church of Global Control, I wouldn’t be the least bit surprised if the face of it would be that of a hermaphrodite or genderless lab-made creature.
The media programmed millions into the cult worship of Anthony Fauci and popularized the globalist motto to ‘believe the science’. Meanwhile the equity of the Biden regime embarrassingly installed transgenders in positions of power, men began competing in women’s sports as women, and early sex change treatments for children are euphemistically referred to as gender affirming care.
There are parallels to be made between The Final Programme and how we’ve gotten to where we are as a society today. Do both end the same? In the film, a hermaphroditic messiah does not save the world, but interestingly, the project causes the world to reset—which brings to mind the Great Reset—or a globalist attempt to normalize a diminished existence where we are supposed to be happy to have nothing—if we survive.
(1973; Robert Fuest)
This review is from The Deprogrammer’s Other Cinema Spectacular. Check out the 70+ film index below for full list!
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